Narada Maharshi and Veda Vyasa exchanged their own experiences about the play of ‘Maha Maya’or
‘Prakriti’(The Great Illusion) in the Hermitage of Vyasa on the banks of River Saraswati. Vyasa
narrated in passing about the incidents relevant to his family as to how his father was enticed with his
mother viz.Parashara Maharshi and Satyavati a fisher woman; how his mother Satyavati insisted to
sleep with his dead younger brother to beget children to uphold the family royalty; how he himself got tempted with an Apsara called Ghritachi and gave birth to Suka Muni; how intensely he loved his son and wanted him to become a house holder; how frustrated was he till Janaka as ‘Videha’(Body-less) was able to become a Grihasti; how elated that he felt when finally his son agreed tobe a Grihasti and finally how distraught his son attained Salvation!
It was then the turn of Narada to narrate his autobiography and how Maha Maya had influnced his
own life. Narada (‘Nara’ stands for knowledge and ‘Da’stands for Giver or Provider) is popular as a
‘Loka Sanchari’or a Universal Tourist. He is also popular as ‘Kalaha Priya’ or as an instigator but his
end-objective would always be for ‘Loka Kalyana’ or for Universal Benefit. Even at the time of
generation as a Manasika Putra or Mind-Born son of Brahma, Narada was engulfed with Maya as
Brahma asked the son to become a house-holder and procreate progeny but Narada refused flatly; he
said : would there be a fool to leave the outstanding nectar of service to Krishna and take to the drink
of poison called Samsara! Brahma was terribly disappointed and visibly angry especially since the
earlier brothers of Narada viz. Sanaka-Sanandana-Sanatana and Sanat Kumaras also politely refused
to become ‘Grihasties’ and Narada’s reaction was more assertive disregard of his consideration to a
father! Brahma then cursed Narada to become a yogi; a quixotic, glibly and dreamy person with
frivolous nature; as an indulger in ‘Shringar’(Romance) and Music; a Veena Player, a talkative
wanderer; as the son of a servant maid, and after repeated births finally he would return to Brahma
and become a Supreme Gyani! Narada was taken aback by such lashing of curses from Brahma and
having requested the father to bless him to be a Jatismara or with memory of previous births and a
staunch devotee of Narayana, gave a return curse to Brahma too that he would not be worshipped in
the entire Universe by way of Srotra, Kavacha, Mantra , Puja, Vrata or Agni Homa for the next three
Kalpas!
Narada was reborn as a Gandharva Prince named Upabarhana -literally meaning as one with
Devotion. He was married to fifty daughters of another Gandharva King and the eldest of his wives
was Malavati an illustrious Pativrata. He however had a flimsy fancy for Rambha and for this
indiscretion Brahma cursed him to terminate his life by the yogic of death; thush he practised Yoga by breaking
‘Prakriti’(The Great Illusion) in the Hermitage of Vyasa on the banks of River Saraswati. Vyasa
narrated in passing about the incidents relevant to his family as to how his father was enticed with his
mother viz.Parashara Maharshi and Satyavati a fisher woman; how his mother Satyavati insisted to
sleep with his dead younger brother to beget children to uphold the family royalty; how he himself got tempted with an Apsara called Ghritachi and gave birth to Suka Muni; how intensely he loved his son and wanted him to become a house holder; how frustrated was he till Janaka as ‘Videha’(Body-less) was able to become a Grihasti; how elated that he felt when finally his son agreed tobe a Grihasti and finally how distraught his son attained Salvation!
It was then the turn of Narada to narrate his autobiography and how Maha Maya had influnced his
own life. Narada (‘Nara’ stands for knowledge and ‘Da’stands for Giver or Provider) is popular as a
‘Loka Sanchari’or a Universal Tourist. He is also popular as ‘Kalaha Priya’ or as an instigator but his
end-objective would always be for ‘Loka Kalyana’ or for Universal Benefit. Even at the time of
generation as a Manasika Putra or Mind-Born son of Brahma, Narada was engulfed with Maya as
Brahma asked the son to become a house-holder and procreate progeny but Narada refused flatly; he
said : would there be a fool to leave the outstanding nectar of service to Krishna and take to the drink
of poison called Samsara! Brahma was terribly disappointed and visibly angry especially since the
earlier brothers of Narada viz. Sanaka-Sanandana-Sanatana and Sanat Kumaras also politely refused
to become ‘Grihasties’ and Narada’s reaction was more assertive disregard of his consideration to a
father! Brahma then cursed Narada to become a yogi; a quixotic, glibly and dreamy person with
frivolous nature; as an indulger in ‘Shringar’(Romance) and Music; a Veena Player, a talkative
wanderer; as the son of a servant maid, and after repeated births finally he would return to Brahma
and become a Supreme Gyani! Narada was taken aback by such lashing of curses from Brahma and
having requested the father to bless him to be a Jatismara or with memory of previous births and a
staunch devotee of Narayana, gave a return curse to Brahma too that he would not be worshipped in
the entire Universe by way of Srotra, Kavacha, Mantra , Puja, Vrata or Agni Homa for the next three
Kalpas!
Narada was reborn as a Gandharva Prince named Upabarhana -literally meaning as one with
Devotion. He was married to fifty daughters of another Gandharva King and the eldest of his wives
was Malavati an illustrious Pativrata. He however had a flimsy fancy for Rambha and for this
indiscretion Brahma cursed him to terminate his life by the yogic of death; thush he practised Yoga by breaking
- Six Chakras (Muladhara, Swadhistana, Manipura, Anahata, Vishuddha and Agjna) and
- Sixteen Nadis (Ida, Sushumna, Medha, Pingala, Praanahaarini, Sarva Jnanaprada, Manah Samyamani,Vishuddha, Niruddha, Vayasancharini, Jnana jrumbharana karini, Sarva Pranahara and Punarjeevanakarini) and died the Yoga way! Malavati got furious that on a flimsy cause of fancying
Murtis that she woul immolate in Homagni. Vishnu realised how powerful a curse of Maha Pativrata
like Malavati could be and assumed the form of a Brahmana Vidyarthi enquring of Malavati whether
the death of her husband was due to physical nature and if so he could be revived by the means of
Ayurved; or else if the death was due to Yoga, then too there would be ways of reviving him the Yoga
way! As the death was due to Yoga, the Brahmana boy prayed to Agni and the jatharagini of the
Gandharva was kindled; Kama Deva gave back to the latter’s desires and aspirations; Vayu gave back
his breathing; Surya restored his eye-sight; Vani his powerof speech; Dharma revived his Gyan and
Brahma and Vishnu revived the Gandhrava Narada finally.
Another episode of Narada’s life related to Daksha Prajapati’s curse to him to become a Grihasti or a
house holder as Narada instructed the Prajapati’s progeny of Haryasvas to avoid Samsara or family
life. Narada and a Devarshi Parvata undertook a journey to Bhuloka once and due to rainy season
halted at King Sanjaya as their valued guest. The King asked his unmarried daughter Damayanti to
supervise the daily needs of the Rishis for their worship. In course of time Narada developed a fancy
for Damayanti since their common interest was music. Parvata Maharshi noticed visible change in
Narada and the Princess and confronted Narada who confirmed his longing for the Princess. Parvata
Maharshi got annoyed, cursed Narada to get a monkey face and left the Kingdom out of disgust.
Meanwhile Damayanti- Narada romance prospered as both were lovers of music. Damayanti argued
that Kinnaras had horse faces too but were music experts par excellence; having convinced her
parents thus she married Narada. After a few years Parvata Maharshi paid a visit to the Kingdom and
finding that Narada- Damayanti couple were happy, withdrew the curse of Narada’s monkey face as
the couple was happy. Such was the impact of Brahma’s curse to Narada that he should be a Grihasti
and no longer a Brahmachari.
Yet another Story of Narada was about his womanhood! Lord Vishnu and Narada were exchanging
views about the impact of Maya and indirectly mentioned that he saved himself from it excepting that
he was cursed by Brahma and Daksha and had problems. Vishnu asked for his vehicle Garuda and
suggested to Narada to go for a drive across the sky. He stopped Garuda at the City of Kannouj and
desired that he and Narada could refresh bathing in a Lake. Narada kept his clothes, Kamandalu, and
Veena on the banks of the Lake and dipped first in the water. The moment he dipped and came out,
Narada turned into a charming and youthful maiden not knowing his memory and identity. Vishnu
quietly slipped out along with Narada’s personal belongings and disappeared. Meanwhile, King of
Kannauj arrived at the Lake for a swim and was overwhelmed with the outstanding beauty of the
woman (Narada) and asked her antecedents; she did not know but the took her to his Capital and
married her as per Vedic tradition and named her Sowbhagya Sundari. The King declared her as the
Principal Queen and their marital life was a total success and gave birth to twelve sons. But as there
was a terrible war all the sons were killed and the Queen and King reached a lake to observe the
obsequies of the sons and the Queen too had a dip in the Sarovara and she emerged from the water as
Narada! Such was the power of Maha Maya that Vishnu taught to Narada who learnt its impact the
hard way! The Basic Laws prescribed by Maha Maya Bhagavati as enforced by the Trinity and their
deputies and the actions are as per the mix of their Actions are performed as per their Gunas in
various proportions as per their ‘Prarabdha’ or fate ! That was the lesson for Narada!
http://www.shivshankar.in/play-of-maya-the-story-of-narada-maharshi/
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